The last stop Gayathri made before she delved deeper into the Bairavi as handled by Music Trinity was Pacchimirium Sree Aadiappiyer’s Viriboni Bairavi varnam in ata talam.
The shift from use of smaller to bigger dhaivatam has happened over the years and some composers have beautifully used both dhaivatams. Gayathri had also listed a few “suthras” that described the characteristics of Bairavi (bashanga raga, sampoorna raga, swarams, etc.) and in the slides that followed she listed all Sangeetha Granthas that has reference and reverence to Bairavi.īairavai raga has undergone a lot of changes over a period of time to where it is today.
Usually artist get on the stage with a sruthi box and bunch of papyrus to present a lecture demonstration, but Smt.
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I had done no homework for the lecture demonstration (atleast I could have made a list of krithis in Bairavai raga), rather I showed up like Bairavi character (ignorance is bliss) in the movie Sindhu Bairavi, while Gayathri Girish had done all the homework to educate the audience on Bairavi.